Celebrating Fifty Years of Hip-Hop


On August 11, 1973, 18-year-old Jamaican-American breakbeat pioneer DJ Kool Herc and his sister Cindy Campbell threw the now-famous “again to highschool jam” block social gathering in The Bronx. The subculture of hip-hop had been rising within the streets by way of the grafitti, MCing, DJing, and breakdancing in New York Metropolis neighborhoods largely populated by African-Individuals, Puerto Ricans, and Caribbean immigrants, however this dance social gathering is considered a pivot level within the popularization and creation of hip-hop.


Kool Herc Party


We have collected ten of the groundbreaking and influential albums that got here out of that first decade of old-school rap as a celebration of fifty years of hip-hop.


Old School Hip HopXII – The Fatback Band, 1979

Fatback maintained the identical excessive commonplace of high quality to provide one other spectacular slab of funk-tinged disco. XII is notable to hip-hop historians for the observe “King Tim III (Persona Jock),” a tune typically tagged as the primary rap tune (it was launched as a single shortly earlier than the extra well-liked “Rapper’s Delight” by the Sugarhill Gang). “King Tim” stays a killer blast of hip-hop, seamlessly mixing a slick old-school rap into the band’s intensely funky mix of organ, energetic horn blasts, and a relentless strolling bassline. – Learn the total evaluate.


Old School Hip HopThe Sugarhill Gang – The Sugarhill Gang, 1980

Though the Sugarhill Gang did not invent hip-hop, they had been the primary rap act to have an enormous worldwide hit. Launched in 1979, “Rapper’s Delight” was tens of millions of listeners’ first publicity to hip-hop — earlier than that, only a few individuals exterior of New York even knew what hip-hop was. The Sugarhill Gang had been additionally among the many first rap acts to report a full-length LP; when this self-titled debut album got here out in 1980, the overwhelming majority of old-school MCs had been solely offering 12″ singles. – Learn the total evaluate.


Old School Hip HopKurtis Blow – Kurtis Blow, 1980

Again in hip-hop’s old style period — roughly 1978-1982 — albums had been the exception and never the rule. Hip-hop turned much more album-minded with the rise of its second technology (Run-D.M.C., Whodini, the Fats Boys, amongst others) round 1983-1984, however to start with, many MCs recorded nothing however singles. Two exceptions had been the Sugarhill Gang and Kurtis Blow, whose self-titled debut album of 1980 was amongst hip-hop’s first LPs and was the primary rap album to come back out on a serious label. – Learn the total evaluate.


Old School Hip Hop“Planet Rock” – Afrika Bambaataa, 1982

When “Planet Rock” got here out in June of 1982, it revolutionized the hip-hop scene and put the Tommy Boy label on the map. Quickly, city producers had been turning to synthesizers and keyboards, churning out dozens of electro hits like “Clear” by Cybotron, “Rockit” by Herbie Hancock, “Jam on It” by Newcleus, “Egypt, Egypt” by the Egyptian Lover, and “Jam the Field” by Fairly Tony. The electro fascination proved the launching pad for techno, home, and bass music. – Learn the total evaluate.


Old School Hip HopThe Message – Grandmaster Flash & the Livid 5, 1982

Grandmaster Flash & the Livid 5 merged the Afrocentric consciousness expressed by such early rappers as Gil Scott-Heron and the Final Poets with b-boy manufacturing to create “The Message,” an all-time rap anthem. It was the focus of this LP, which additionally included “It is Nasty” and “Scorpio,” two different sturdy cuts which may have been winners on their very own. – Learn the total evaluate.


Old School Hip HopWild Type – Numerous Artists, 1983

Wild Type largely went unseen upon its 1983 launch, however its soundtrack turned one of many key data of early-’80s hip-hop, offering rappers with a treasure trove of beats and rhymes. Not one of the cuts on Wild Type turned crossover hits, however the songs turned underground staples, inspiring new rappers and providing rhythms that had been sampled over time. – Learn the total evaluate.


Old School Hip HopEscape – Whodini, 1984

Not like many rappers, Whodini received their beats and musical backing from synthesizers. Whereas this is not a conceptual masterpiece and actually is nothing greater than sure-shot singles and sound-alike single, “5 Minutes of Funk” was an immediate traditional. The just-as-good “Freaks Come Out at Evening” has the fellows speaking about nocturnal freaks with vivid lyrics and just a little an excessive amount of inside info. – Learn the total evaluate.


Old School Hip HopFats Boys – Fats Boys, 1984

After making some noise because the Disco Three, the Brooklynites modified their identify to the Fats Boys in 1984 and hit massive with this wonderful debut album, which is humorous, wildly entertaining, and unapologetically funky. The whole lot from “Fats Boys” to the amusing “Jailhouse Rap” proves that their rapping expertise had been first-rate. One of many group’s strongest property was Darren Robinson, aka the Human Beat Field, who was recognized for making percussive sounds along with his voice. – Learn the total evaluate.


Old School Hip HopOn the Nile – The Egyptian Lover, 1984

The Egyptian Lover by no means claimed to be a hardcore rapper; On the Nile, his debut album of 1984, does not faux to be a Run-D.M.C., L.L. Cool J, or Fats Boys launch any greater than Grover Washington, Jr. claimed to be a jazz purist. The closest this LP involves an East Coast hip-hop vibe is the only “What Is a DJ If He Cannot Scratch”; all the different tracks provide a synthesizer-driven mix of rap, dance music, and electro-funk. Although “Planet Rock” is a powerful affect on this launch, it’s hardly the Egyptian Lover’s solely affect — his sound additionally owes a debt to Germany’s seminal Kraftwerk (whose improvements vastly influenced “Planet Rock”), Prince, Man Parrish, and Giorgio Moroder, in addition to Center Japanese and North African music. – Learn the total evaluate.


Old School Hip HopRun-D.M.C. – Run-D.M.C., 1984

The manufacturing is hard and minimal, constructed on relentless drum machines and Jam Grasp Jay’s livid scratching, mixing in a guitar riff or a keyboard hit every now and then. It’s brutal city music, and Run and D.M.C.’s forceful, muscular rhymes match the music. The place different MCs sounded cheerful, Run and D.M.C. prowl and taunt the listener, sounding as in the event that they had been a avenue gang. And whereas a lot of the report is dedicated to braggadocio, boasting, and block events, Run-D.M.C. additionally addressed grittier realities of city life, giving this report each context and thematic weight. All of this — the music, the angle, the phrases, the themes — marked a turning level for rap, and it is not possible to calculate Run-D.M.C.’s affect on all that got here afterward. – Learn the total evaluate.


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